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Painting:: all people --> Style:: man
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Artist: Viktor Vasnetsov

Bogatyrs
Painting ID::  61346
Bogatyrs 1898

Artist: Viktor Vasnetsov

Ilya Muromets
Painting ID::  61361
Ilya Muromets (1914)

Artist: Horace Vernet

Self portrait
Painting ID::  61440
Self-portrait

Artist: unknow artist

vaktavlosning vad buckingham palave
Painting ID::  61524
mk275 traditionen fortsatter

Artist: Johann Zoffany

Self portrait as David with the head of Goliath,
Painting ID::  61644
Self-portrait as David with the head of Goliath, 1756

Artist: Joaquin Sorolla

An experimental study
Painting ID::  61689
mk275 1897 Oil on canvas years

Artist: CERQUOZZI, Michelangelo

Adam was born
Painting ID::  62058
mk276 1511 years 280 x 570cm frescos Sistine Chapel Vatican

Artist: William Hogarth

Group painting fashionable marriage of the dead countess
Painting ID::  62167
mk279 Oil on canvas 70 x 90.8cm 1745 years

Artist: William Hogarth

Charles III
Painting ID::  62174
mk279 Oil on canvas 190.5 x 250.8cm 1745 years

Artist: Giovanni Battista Tiepolo

St James the great
Painting ID::  62188
mk280 Oil on canvas 317 x 163cm

Artist: Sandro Botticelli

St. Augustine
Painting ID::  62217
mk281 1480

Artist: Harold Gilman

The Entombment
Painting ID::  62299
1670-73 Painted and gilt wood Hospital de la Caridad, Seville The Brotherhood of Charity, the Caridad, as it is known, was one of Seville's major lay confraternities. It was founded in 1565 with the mission of providing a decent burial for paupers. From 1663 the charitable activities were expanded to provide care for the needy sick, and a hospital was built, simultaneously enlarging and renovating the already existing chapel. The scheme for the decoration of the chapel is a tripartite exposition of Christian charity as the way of salvation. The first part comprises two memorable paintings by Vald?s Leal, demonstrating the futility of earthly pursuits and honours. A life devoted to accumulating wealth, power, and even learning is shown to lead only to the grave. Charity, which constitutes the second part of the program, provides the way to salvation, as seen in the seven acts of mercy, six of which are depicted by Murillo; the seventh, burying the dead, the Caridad's foundation charity, is embodied in a sculptural group, the Entombment of Christ by Pedro Rold?n, placed in the altarpiece. The third component consists of two paintings by Murillo for lateral altars, depicting St Elizabeth of Hungary and St John of God, both illustrating the efficacy of good works and the necessity of personal participation in charitable deeds. The picture shows a detail of Rold?n's Entombment group. In seventeenth-century Spain the economic crisis had the effect of intensifying religion and bringing it closer to the people. Spanish sculpture of this period, nearly always in brightly coloured wood, treated the various figures of the Passion singly, in isolation, with the devoutness of a miracle play, thus bringing about an unexpected return to the cultural atmosphere of the Middle Ages. Rold?n's sculptural group is an example of this style

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Painting:: people --> Style:: man
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