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Painting:: all still life --> Style:: animal
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Artist: Jean Baptiste Simeon Chardin

Rabbit hunting with two powder extinguishers and Orange
Painting ID::  59674
mk268 Oil on canvas 92 x 74 cm 1728

Artist: Jean Baptiste Simeon Chardin

Duck bowl and olive oil
Painting ID::  59676
mk268 Oil on canvas 152 x 96.5 cm 1764

Artist: Jean Baptiste Simeon Chardin

Gray partridge and a pear
Painting ID::  59681
mk268 Oil on canvas 38 x 45.5 cm 1748

Artist: Jean Baptiste Simeon Chardin

Silver wine bottle grapes peaches plums and pears
Painting ID::  59682
mk268 Oil on canvas 69 x 58 cm in 1726-1727

Artist: Camille Pissarro

Still
Painting ID::  60612
mk259 1867 Oil on canvas 82 x 101cm

Artist: Sebastian Stoskopff

Still-Life of Glasses in a Basket
Painting ID::  63702
1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life

Artist: SNYDERS, Frans

Fishmonger's
Painting ID::  63950
202 x 337 cm Koninklijk Museum voor Schone Kunsten, Antwerp Flemish artists of the 17th century, like Roelandt Savery and Jan van Kessel, use a narrative subject as a vehicle for painting their animals, while Frans Snyders, by contrast, takes a realistic starting point - a market scene - for his painting of the Fishmonger's. The dramatic, large format was also used for hunting scenes. , Artist: SNYDERS, Frans , Fishmonger's , 1601-1650 , Flemish , painting , still-life

Artist: SNYDERS, Frans

The Fishmonger
Painting ID::  63951
170 x 145 cm Rockox House, Antwerp This is the surviving left segment of The Fishmonger with a figure by one of Rubens' pupils, and a view of the Antwerp wharf in the background. , Artist: SNYDERS, Frans , The Fishmonger , 1601-1650 , Flemish , painting , still-life

Artist: broderna von wrights

skjutna knipor
Painting ID::  65364
1829-1832 olja pa papp 20x26, privat ago se

Artist: broderna von wrights

dod ringduva
Painting ID::  65460
1867, olja pa duk 43x36.5 se

Artist: broderna von wrights

hangande sidensvans och rodvingetrast
Painting ID::  65485
1850-52 olja pa duk 36.5x30 se

Artist: broderna von wrights

notskrika som klockdyna
Painting ID::  65498
1867, olja pa duk 41x32 se

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Painting:: still life --> Style:: animal
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