Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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Domenico Ghirlandaio An Old Man and his Grandson oil painting


An Old Man and his Grandson
1480 Musee du Louvre, Paris
Painting ID::  1469 		Domenico Ghirlandaio
An Old Man and his Grandson
1480 Musee du Louvre, Paris
   
   
     
Domenico Ghirlandaio Announcement of Death to Saint Fina oil painting


Announcement of Death to Saint Fina
1475 Collegiate Church, San Gimignano
Painting ID::  1470 		Domenico Ghirlandaio
Announcement of Death to Saint Fina
1475 Collegiate Church, San Gimignano
   
   
     
Domenico Ghirlandaio The Visitation (mk05) oil painting


The Visitation (mk05)
Wood 67 1/2 x 65''(117 x 165 cm)Entered the Louvre in 1812
Painting ID::  20058 		Domenico Ghirlandaio
The Visitation (mk05)
Wood 67 1/2 x 65''(117 x 165 cm)Entered the Louvre in 1812
   
   
     
Domenico Ghirlandaio Portrait of an Old Man with a Young Boy (mk05) oil painting


Portrait of an Old Man with a Young Boy (mk05)
Wood 25 x 18''(63 x 46 cm)Entered the Louvre in 1886
Painting ID::  20061 		Domenico Ghirlandaio
Portrait of an Old Man with a Young Boy (mk05)
Wood 25 x 18''(63 x 46 cm)Entered the Louvre in 1886
   
   
     
Domenico Ghirlandaio The Virgin and Child (mk05) oil painting


The Virgin and Child (mk05)
Wood 31 x 22''(79 x 56 cm)Entered the Louvre in 1899
Painting ID::  20062 		Domenico Ghirlandaio
The Virgin and Child (mk05)
Wood 31 x 22''(79 x 56 cm)Entered the Louvre in 1899
   
   
     
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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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