Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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Domenico Ghirlandaio Triumphal Arch oil painting


Triumphal Arch
mk61 c.1608-1610 Oil on canvas 70x60cm
Painting ID::  28128 		Domenico Ghirlandaio
Triumphal Arch
mk61 c.1608-1610 Oil on canvas 70x60cm
   
   
     
Domenico Ghirlandaio The Adoration of the Magi oil painting


The Adoration of the Magi
mk65 Oil on panel 67 11/16in
Painting ID::  28872 		Domenico Ghirlandaio
The Adoration of the Magi
mk65 Oil on panel 67 11/16in
   
   
     
Domenico Ghirlandaio Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius oil painting


Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius
mk65 Oil on tempera on panel 75 3/16x78 3/4in
Painting ID::  28873 		Domenico Ghirlandaio
Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius
mk65 Oil on tempera on panel 75 3/16x78 3/4in
   
   
     
Domenico Ghirlandaio The adoration of the Konige oil painting


The adoration of the Konige
mk137 1488 Tempera on wood chalkboard diameter 171cm Galleria degli Uffizi, Florence.
Painting ID::  38463 		Domenico Ghirlandaio
The adoration of the Konige
mk137 1488 Tempera on wood chalkboard diameter 171cm Galleria degli Uffizi, Florence.
   
   
     
Domenico Ghirlandaio Adoration of the Magi oil painting


Adoration of the Magi
mk156 1488 Tempera on panel
Painting ID::  40258 		Domenico Ghirlandaio
Adoration of the Magi
mk156 1488 Tempera on panel
   
   
     
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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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