Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Portrait of Mary Cassatt oil painting


Portrait of Mary Cassatt
1880-84
Painting ID::  879
Edgar Degas
Portrait of Mary Cassatt
1880-84
   
   
     

Edgar Degas Mary Cassatt at the Louvre oil painting


Mary Cassatt at the Louvre
1880
Painting ID::  880
Edgar Degas
Mary Cassatt at the Louvre
1880
   
   
     

Edgar Degas Mary Cassatt and her sister at the Louvre oil painting


Mary Cassatt and her sister at the Louvre
1885 The Art Institute of Chicago
Painting ID::  881
Edgar Degas
Mary Cassatt and her sister at the Louvre
1885 The Art Institute of Chicago
   
   
     

Edgar Degas Woman with Opera Glasses oil painting


Woman with Opera Glasses
1875-76
Painting ID::  882
Edgar Degas
Woman with Opera Glasses
1875-76
   
   
     

Edgar Degas Madame Rene de Gas oil painting


Madame Rene de Gas
1872-73 The National Gallery of Art, Washington DC
Painting ID::  883
Edgar Degas
Madame Rene de Gas
1872-73 The National Gallery of Art, Washington DC
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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