Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas At the Stock Exchange oil painting


At the Stock Exchange
1878-79 39 3/8 x 32 1/4 in. (100 x 82 cm) Musee d'Orsay, Paris
Painting ID::  899
Edgar Degas
At the Stock Exchange
1878-79 39 3/8 x 32 1/4 in. (100 x 82 cm) Musee d'Orsay, Paris
   
   
     

Edgar Degas Horses Before the Stands oil painting


Horses Before the Stands
c. 1866-68 Essence on paper mounted on canvas 18 1/8 x 24 in (46 x 61 cm) Musee d'Orsay, Paris
Painting ID::  900
Edgar Degas
Horses Before the Stands
c. 1866-68 Essence on paper mounted on canvas 18 1/8 x 24 in (46 x 61 cm) Musee d'Orsay, Paris
   
   
     

Edgar Degas At the Races oil painting


At the Races
1877-80 26.5" x 32.80" Musee d'Orsay, Paris
Painting ID::  901
Edgar Degas
At the Races
1877-80 26.5" x 32.80" Musee d'Orsay, Paris
   
   
     

Edgar Degas Racehorses oil painting


Racehorses

Painting ID::  902
Edgar Degas
Racehorses

   
   
     

Edgar Degas Race Horses_a oil painting


Race Horses_a
1883-85
Painting ID::  903
Edgar Degas
Race Horses_a
1883-85
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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