Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas After The Bath oil painting


After The Bath
mk194 c.1892-94
Painting ID::  49176
Edgar Degas
After The Bath
mk194 c.1892-94
   
   
     

Edgar Degas Study of a Horse from the Parthenon Frieze oil painting


Study of a Horse from the Parthenon Frieze
mk194 c.1854
Painting ID::  49177
Edgar Degas
Study of a Horse from the Parthenon Frieze
mk194 c.1854
   
   
     

Edgar Degas Studies for the Daughter of Jephthah oil painting


Studies for the Daughter of Jephthah
mk194 c.1859-61
Painting ID::  49178
Edgar Degas
Studies for the Daughter of Jephthah
mk194 c.1859-61
   
   
     

Edgar Degas The Daughter of Japhthah oil painting


The Daughter of Japhthah
mk194 1859-60 Oil on canvas
Painting ID::  49179
Edgar Degas
The Daughter of Japhthah
mk194 1859-60 Oil on canvas
   
   
     

Edgar Degas Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci oil painting


Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
mk194 c.1858-59
Painting ID::  49180
Edgar Degas
Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
mk194 c.1858-59
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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