Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Two Dancers entering the Stage oil painting


Two Dancers entering the Stage
mk194 c.1877-78
Painting ID::  49186
Edgar Degas
Two Dancers entering the Stage
mk194 c.1877-78
   
   
     

Edgar Degas Ballet Dancer oil painting


Ballet Dancer
mk194 c.1873-1900
Painting ID::  49187
Edgar Degas
Ballet Dancer
mk194 c.1873-1900
   
   
     

Edgar Degas Horse with Saddle and Bridle oil painting


Horse with Saddle and Bridle
mk194 c.1868-70
Painting ID::  49188
Edgar Degas
Horse with Saddle and Bridle
mk194 c.1868-70
   
   
     

Edgar Degas Little Dancer,aged Fourteen oil painting


Little Dancer,aged Fourteen
mk194 modeled c.1880
Painting ID::  49189
Edgar Degas
Little Dancer,aged Fourteen
mk194 modeled c.1880
   
   
     

Edgar Degas The Road in the Forest oil painting


The Road in the Forest
mk194 c.1890-93
Painting ID::  49190
Edgar Degas
The Road in the Forest
mk194 c.1890-93
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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