Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas The Song Rehearsal oil painting


The Song Rehearsal
mk194 1872-73
Painting ID::  49212
Edgar Degas
The Song Rehearsal
mk194 1872-73
   
   
     

Edgar Degas After the Bath oil painting


After the Bath
mk194 1896 Oil on canvas 89x116cm
Painting ID::  49213
Edgar Degas
After the Bath
mk194 1896 Oil on canvas 89x116cm
   
   
     

Edgar Degas Balettklassen oil painting


Balettklassen
mk198 1880 Philadelphia musuem perceive Type America
Painting ID::  49485
Edgar Degas
Balettklassen
mk198 1880 Philadelphia musuem perceive Type America
   
   
     

Edgar Degas Self-Portrait oil painting


Self-Portrait
mk206 1855 Oil on canvas 81x64cm
Painting ID::  49892
Edgar Degas
Self-Portrait
mk206 1855 Oil on canvas 81x64cm
   
   
     

Edgar Degas Self-Portrait oil painting


Self-Portrait
mk206 1857 Oil on canvas 26x19cm
Painting ID::  49893
Edgar Degas
Self-Portrait
mk206 1857 Oil on canvas 26x19cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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