Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas absinth oil painting


absinth
mk206 1875-1876 Oil on canvas 92x68cm
Painting ID::  49914
Edgar Degas
absinth
mk206 1875-1876 Oil on canvas 92x68cm
   
   
     

Edgar Degas The woman take the telescope look at the opera oil painting


The woman take the telescope look at the opera
mk206 1875-1876 Oil on canvas 48x32cm
Painting ID::  49915
Edgar Degas
The woman take the telescope look at the opera
mk206 1875-1876 Oil on canvas 48x32cm
   
   
     

Edgar Degas Opera performance in the restaurant oil painting


Opera performance in the restaurant
mk206 1876-1877 Oil on canvas 24.2x44.5cm
Painting ID::  49916
Edgar Degas
Opera performance in the restaurant
mk206 1876-1877 Oil on canvas 24.2x44.5cm
   
   
     

Edgar Degas Dance oil painting


Dance
mk207 1876-1877 Oil on canvas 24.2x44.5cm
Painting ID::  49917
Edgar Degas
Dance
mk207 1876-1877 Oil on canvas 24.2x44.5cm
   
   
     

Edgar Degas The Concert in the cafe oil painting


The Concert in the cafe
mk206 1876-1877 Oil on canvas 36x28cm
Painting ID::  49918
Edgar Degas
The Concert in the cafe
mk206 1876-1877 Oil on canvas 36x28cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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