Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals The Laughing Cavalier oil painting


The Laughing Cavalier
mk156 1624 Oil on canvas 83x67cm
Painting ID::  40428
Frans Hals
The Laughing Cavalier
mk156 1624 Oil on canvas 83x67cm
   
   
     

Frans Hals Banquet of the Officers of the Civic Guard of St Adrian oil painting


Banquet of the Officers of the Civic Guard of St Adrian
mk156 1627 Oil on canvas 183x266.5cm
Painting ID::  40430
Frans Hals
Banquet of the Officers of the Civic Guard of St Adrian
mk156 1627 Oil on canvas 183x266.5cm
   
   
     

Frans Hals Gypsy Girl oil painting


Gypsy Girl
mk156 c.1626 Oil on panel 58x52cm
Painting ID::  40434
Frans Hals
Gypsy Girl
mk156 c.1626 Oil on panel 58x52cm
   
   
     

Frans Hals Company of Captain Reinier Reael oil painting


Company of Captain Reinier Reael
mk156 1637 Oil on canvas 209x429
Painting ID::  40450
Frans Hals
Company of Captain Reinier Reael
mk156 1637 Oil on canvas 209x429
   
   
     

Frans Hals Portrait of a young man holding a glove oil painting


Portrait of a young man holding a glove
mk159 c.1650 Oil on canvas 80x66.5cm
Painting ID::  41031
Frans Hals
Portrait of a young man holding a glove
mk159 c.1650 Oil on canvas 80x66.5cm
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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