Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals Young Man and Woman in an Inn oil painting


Young Man and Woman in an Inn
mk161 Oil on canvas
Painting ID::  41329
Frans Hals
Young Man and Woman in an Inn
mk161 Oil on canvas
   
   
     

Frans Hals The cheerful drinder oil painting


The cheerful drinder
MK169 1628-30 Shut down 81x66.5cm
Painting ID::  42706
Frans Hals
The cheerful drinder
MK169 1628-30 Shut down 81x66.5cm
   
   
     

Frans Hals Regent ashes of the old men house oil painting


Regent ashes of the old men house
MK169 ca. 1664 Cloth 171x250cm
Painting ID::  42707
Frans Hals
Regent ashes of the old men house
MK169 ca. 1664 Cloth 171x250cm
   
   
     

Frans Hals Portrait of a Man oil painting


Portrait of a Man
mk170 1633 Oil on canvas 64.8x50.2cm
Painting ID::  43152
Frans Hals
Portrait of a Man
mk170 1633 Oil on canvas 64.8x50.2cm
   
   
     

Frans Hals Young Man Holding a Skull oil painting


Young Man Holding a Skull
mk170 1626-1628 Oil on canvas 92.2x88cm
Painting ID::  43153
Frans Hals
Young Man Holding a Skull
mk170 1626-1628 Oil on canvas 92.2x88cm
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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