GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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GIOTTO di Bondone Feast of Herod oil painting


Feast of Herod
280 x 450 cm
Painting ID::  44330
GIOTTO di Bondone
Feast of Herod
280 x 450 cm
   
   
     

GIOTTO di Bondone Expulsion of the Money-changers from the Temple oil painting


Expulsion of the Money-changers from the Temple
1304-06
Painting ID::  44331
GIOTTO di Bondone
Expulsion of the Money-changers from the Temple
1304-06
   
   
     

GIOTTO di Bondone Judas-Betrayal oil painting


Judas-Betrayal
150 x 140 cm
Painting ID::  44332
GIOTTO di Bondone
Judas-Betrayal
150 x 140 cm
   
   
     

GIOTTO di Bondone Washing of Feet oil painting


Washing of Feet
200 x 185 cm
Painting ID::  44333
GIOTTO di Bondone
Washing of Feet
200 x 185 cm
   
   
     

GIOTTO di Bondone The Arrest of Christ oil painting


The Arrest of Christ
200 x 185 cm
Painting ID::  44334
GIOTTO di Bondone
The Arrest of Christ
200 x 185 cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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