GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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GIOTTO di Bondone Exorcism of the Demons at Arezzo oil painting


Exorcism of the Demons at Arezzo
270 x 230 cm
Painting ID::  44350
GIOTTO di Bondone
Exorcism of the Demons at Arezzo
270 x 230 cm
   
   
     

GIOTTO di Bondone Ecstasy of St Francis oil painting


Ecstasy of St Francis
270 x 230 cm
Painting ID::  44351
GIOTTO di Bondone
Ecstasy of St Francis
270 x 230 cm
   
   
     

GIOTTO di Bondone Institution of the Crib at Greccio oil painting


Institution of the Crib at Greccio
270 x 230 cm
Painting ID::  44352
GIOTTO di Bondone
Institution of the Crib at Greccio
270 x 230 cm
   
   
     

GIOTTO di Bondone Miracle of the Spring oil painting


Miracle of the Spring
1297-1300 270 x 200 cm
Painting ID::  44353
GIOTTO di Bondone
Miracle of the Spring
1297-1300 270 x 200 cm
   
   
     

GIOTTO di Bondone Sermon to the Birds oil painting


Sermon to the Birds
270 x 200 cm
Painting ID::  44354
GIOTTO di Bondone
Sermon to the Birds
270 x 200 cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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