Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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Georges Seurat Morgenspaziergang oil painting


Morgenspaziergang
1885(1885) Medium oil on panel Dimensions Deutsch: 24,9 x 15,7 cm cjr
Painting ID::  93688
Georges Seurat
Morgenspaziergang
1885(1885) Medium oil on panel Dimensions Deutsch: 24,9 x 15,7 cm cjr
   
   
     

Georges Seurat Die Seine bei Courbevoie oil painting


Die Seine bei Courbevoie
1885(1885) Medium oil on canvas Dimensions 81 x 65 cm cjr
Painting ID::  94026
Georges Seurat
Die Seine bei Courbevoie
1885(1885) Medium oil on canvas Dimensions 81 x 65 cm cjr
   
   
     

Georges Seurat Einfahrt zum Hafen Port-en-Bessin oil painting


Einfahrt zum Hafen Port-en-Bessin
1888(1888) Medium oil on canvas Dimensions 54,9 x 65,1 cm cjr
Painting ID::  94077
Georges Seurat
Einfahrt zum Hafen Port-en-Bessin
1888(1888) Medium oil on canvas Dimensions 54,9 x 65,1 cm cjr
   
   
     

Georges Seurat Ein Abend in Grandcamp oil painting


Ein Abend in Grandcamp
1885(1885) Medium oil on canvas Dimensions 66,2 x 82,4 cm cjr
Painting ID::  94079
Georges Seurat
Ein Abend in Grandcamp
1885(1885) Medium oil on canvas Dimensions 66,2 x 82,4 cm cjr
   
   
     

Georges Seurat Weibes und schwarzes Pferd im Flub oil painting


Weibes und schwarzes Pferd im Flub
c. 1883 Medium oil on panel Dimensions Deutsch: 15 x 24,8 cm cjr
Painting ID::  94099
Georges Seurat
Weibes und schwarzes Pferd im Flub
c. 1883 Medium oil on panel Dimensions Deutsch: 15 x 24,8 cm cjr
   
   
     

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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