Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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Gustav Klimt The Kiss (mk12) oil painting


The Kiss (mk12)
1907/08 Der Kub Oil and gold on canvas 180x180cm Vienna,Osterreichische Galerie,Belvedere
Painting ID::  22091
Gustav Klimt
The Kiss (mk12)
1907/08 Der Kub Oil and gold on canvas 180x180cm Vienna,Osterreichische Galerie,Belvedere
   
   
     

Gustav Klimt Fourteen Sunflowers in a Vase (mk12) oil painting


Fourteen Sunflowers in a Vase (mk12)
1889 Oil on canvas. 100.5x76.5cm Tokyo,Yasuda Fire&Marine Ihnsurance Company
Painting ID::  22113
Gustav Klimt
Fourteen Sunflowers in a Vase (mk12)
1889 Oil on canvas. 100.5x76.5cm Tokyo,Yasuda Fire&Marine Ihnsurance Company
   
   
     

Gustav Klimt Judith II(Salome) (mk19) oil painting


Judith II(Salome) (mk19)
1909 Oil on canvas,178 x 46 cm Galleria d'Arte Moderna,Venice
Painting ID::  22321
Gustav Klimt
Judith II(Salome) (mk19)
1909 Oil on canvas,178 x 46 cm Galleria d'Arte Moderna,Venice
   
   
     

Gustav Klimt Judith I (mk19) oil painting


Judith I (mk19)
Oil on canvas,84 x 42 cm Osterreichische Galerie, Vienna
Painting ID::  22322
Gustav Klimt
Judith I (mk19)
Oil on canvas,84 x 42 cm Osterreichische Galerie, Vienna
   
   
     

Gustav Klimt She who was La Belle Heaulmiere (mk19) oil painting


She who was La Belle Heaulmiere (mk19)
1885 Painted plaster,50.6 cm hight,25.8 cm long Musee Rodin,Paris
Painting ID::  22323
Gustav Klimt
She who was La Belle Heaulmiere (mk19)
1885 Painted plaster,50.6 cm hight,25.8 cm long Musee Rodin,Paris
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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