Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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Gustav Klimt Orchard (mk20) oil painting


Orchard (mk20)
around 1898 Obstgarten Oil on cardboard,39 x 28 cm Private collection,Vienna
Painting ID::  22424
Gustav Klimt
Orchard (mk20)
around 1898 Obstgarten Oil on cardboard,39 x 28 cm Private collection,Vienna
   
   
     

Gustav Klimt Farmhouse with Birch Trees (mk20) oil painting


Farmhouse with Birch Trees (mk20)
1900 Bauernhaus mit Birken Oil on canvas,80 x 80 cm Austrian Gallery,Vienna
Painting ID::  22425
Gustav Klimt
Farmhouse with Birch Trees (mk20)
1900 Bauernhaus mit Birken Oil on canvas,80 x 80 cm Austrian Gallery,Vienna
   
   
     

Gustav Klimt Island in Lake Atter (mk20) oil painting


Island in Lake Atter (mk20)
around 1901 Insel im Attersee Oil on canvas,100 x 100 cm Private collection,by permission of the St Etienne Gallery,New York
Painting ID::  22426
Gustav Klimt
Island in Lake Atter (mk20)
around 1901 Insel im Attersee Oil on canvas,100 x 100 cm Private collection,by permission of the St Etienne Gallery,New York
   
   
     

Gustav Klimt Birch Wood (mk20) oil painting


Birch Wood (mk20)
1903 Birkenwald Oil on canvas,110 x 110 cm Austrian Gallery,Vienna
Painting ID::  22427
Gustav Klimt
Birch Wood (mk20)
1903 Birkenwald Oil on canvas,110 x 110 cm Austrian Gallery,Vienna
   
   
     

Gustav Klimt Beethoven Frieze (mk20) oil painting


Beethoven Frieze (mk20)
1902 Beethoven-Fries Central narrow wall(Detail):Unchastity,Lust and Gluttony Unkeuschheit,Wollust und Unmassigkeit Casein paint on plaster,220 cmhigh Austrian Gallery,Vienna
Painting ID::  22428
Gustav Klimt
Beethoven Frieze (mk20)
1902 Beethoven-Fries Central narrow wall(Detail):Unchastity,Lust and Gluttony Unkeuschheit,Wollust und Unmassigkeit Casein paint on plaster,220 cmhigh Austrian Gallery,Vienna
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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