Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec La Goulue arriving at the Moulin Rouge oil painting


La Goulue arriving at the Moulin Rouge
La Goulue arriving at the Moulin Rouge (1892).
Painting ID::  61164 		Henri de toulouse-lautrec
La Goulue arriving at the Moulin Rouge
La Goulue arriving at the Moulin Rouge (1892).
   
   
     
Henri de toulouse-lautrec Portrait of Gabrielle oil painting


Portrait of Gabrielle
Portrait of Gabrielle
Painting ID::  61165 		Henri de toulouse-lautrec
Portrait of Gabrielle
Portrait of Gabrielle
   
   
     
Henri de toulouse-lautrec At the Moulin Rouge, Two Women Waltzing oil painting


At the Moulin Rouge, Two Women Waltzing
At the Moulin Rouge: Two Women Waltzing
Painting ID::  61166 		Henri de toulouse-lautrec
At the Moulin Rouge, Two Women Waltzing
At the Moulin Rouge: Two Women Waltzing
   
   
     
Henri de toulouse-lautrec At the Circus Fernando oil painting


At the Circus Fernando
At the Circus Fernando
Painting ID::  61167 		Henri de toulouse-lautrec
At the Circus Fernando
At the Circus Fernando
   
   
     
Henri de toulouse-lautrec The clown Cha U Kao at the Moulin Rouge oil painting


The clown Cha U Kao at the Moulin Rouge
The clown Cha-U-Kao at the Moulin Rouge (1895)
Painting ID::  61168 		Henri de toulouse-lautrec
The clown Cha U Kao at the Moulin Rouge
The clown Cha-U-Kao at the Moulin Rouge (1895)
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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