Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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Henri de toulouse-lautrec Salon at the Rue des Moulins oil painting


Salon at the Rue des Moulins
Salon at the Rue des Moulins
Painting ID::  61169
Henri de toulouse-lautrec
Salon at the Rue des Moulins
Salon at the Rue des Moulins
   
   
     

Henri de toulouse-lautrec The Medical Inspection at the Rue des Moulins Brothel oil painting


The Medical Inspection at the Rue des Moulins Brothel
The Medical Inspection at the Rue des Moulins Brothel
Painting ID::  61170
Henri de toulouse-lautrec
The Medical Inspection at the Rue des Moulins Brothel
The Medical Inspection at the Rue des Moulins Brothel
   
   
     

Henri de toulouse-lautrec The Two Girlfriends oil painting


The Two Girlfriends
The Two Girlfriends
Painting ID::  61171
Henri de toulouse-lautrec
The Two Girlfriends
The Two Girlfriends
   
   
     

Henri de toulouse-lautrec Laundryman at the brothel oil painting


Laundryman at the brothel
Laundryman at the brothel
Painting ID::  61172
Henri de toulouse-lautrec
Laundryman at the brothel
Laundryman at the brothel
   
   
     

Henri de toulouse-lautrec Marcelle Lender on stage oil painting


Marcelle Lender on stage
Marcelle Lender on stage
Painting ID::  61173
Henri de toulouse-lautrec
Marcelle Lender on stage
Marcelle Lender on stage
   
   
     

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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