Jean Auguste Dominique Ingres J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Madame Riviere (mk05) Canvas 46 x 32 1/4''(117 x 82 cm)Salon of 1806 ;bequeathed by Mne Veuve Riviere,daughter-in-law of the sitter 1870 M.I 1446 (G/AR) Painting ID:: 20855
Jean Auguste Dominique Ingres Madame Riviere (mk05) Canvas 46 x 32 1/4''(117 x 82 cm)Salon of 1806 ;bequeathed by Mne Veuve Riviere,daughter-in-law of the sitter 1870 M.I 1446 (G/AR)
Madame Panckoucke (mk05) 1811
Canvas 36 1/2 x 28''(93 x 68 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-25 (G/AR) Painting ID:: 20856
Jean Auguste Dominique Ingres Madame Panckoucke (mk05) 1811
Canvas 36 1/2 x 28''(93 x 68 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-25 (G/AR)
Philibert Riviere (mk05) 1805
Canvas 45 1/2 x 35''(116 x 89 cm)Salon of 1806;bequeathed by Mme Veuve Riviere,daughter-in-law of the sitter,1870 M.I 1445 (G/AR) Painting ID:: 20857
Jean Auguste Dominique Ingres Philibert Riviere (mk05) 1805
Canvas 45 1/2 x 35''(116 x 89 cm)Salon of 1806;bequeathed by Mme Veuve Riviere,daughter-in-law of the sitter,1870 M.I 1445 (G/AR)
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.