Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Jean Auguste Dominique Ingres Mademoiselle Caroline Riviere (mk05) oil painting


Mademoiselle Caroline Riviere (mk05)
1805 Canvas 39 1/4 x 27 1/2''(100 x 70 cm)Caroline Riviere died at the age of fifteen in the year this portrait was painted .salon of 1806;bequeathed by Mne.Veuve Riviere 1870 M I 1447 (S/AR)
Painting ID::  20859 		Jean Auguste Dominique Ingres
Mademoiselle Caroline Riviere (mk05)
1805 Canvas 39 1/4 x 27 1/2''(100 x 70 cm)Caroline Riviere died at the age of fifteen in the year this portrait was painted .salon of 1806;bequeathed by Mne.Veuve Riviere 1870 M I 1447 (S/AR)
   
   
     
Jean Auguste Dominique Ingres Oedipus Explains the RIddle of the Sphinx (mk05) oil painting


Oedipus Explains the RIddle of the Sphinx (mk05)
1808 Canvas 74 1/2 x 56 1/2''(189 x 144 cm)Sent from Rome to Paris in 1808;Retouched Before the Salon of 1827;in Salon of 1827 but not in catalogue;bequeathed in 1878 R.F 218 (G/AR)
Painting ID::  20860 		Jean Auguste Dominique Ingres
Oedipus Explains the RIddle of the Sphinx (mk05)
1808 Canvas 74 1/2 x 56 1/2''(189 x 144 cm)Sent from Rome to Paris in 1808;Retouched Before the Salon of 1827;in Salon of 1827 but not in catalogue;bequeathed in 1878 R.F 218 (G/AR)
   
   
     
Jean Auguste Dominique Ingres Charles-Joseph-Laurent Cordier,an Official of the Imperial Administration in Rome (mk05) oil painting


Charles-Joseph-Laurent Cordier,an Official of the Imperial Administration in Rome (mk05)
1811 Canvas 35 1/2 x 27 1/2''(90 x 70 cm)Background Probably painted by F.M.Granet Bequeathed by the Comtesse Mortier,daughter of the sitter,1886 R.F 477(MN)
Painting ID::  20863 		Jean Auguste Dominique Ingres
Charles-Joseph-Laurent Cordier,an Official of the Imperial Administration in Rome (mk05)
1811 Canvas 35 1/2 x 27 1/2''(90 x 70 cm)Background Probably painted by F.M.Granet Bequeathed by the Comtesse Mortier,daughter of the sitter,1886 R.F 477(MN)
   
   
     
Jean Auguste Dominique Ingres The Bather of Valpincon (mk05) oil painting


The Bather of Valpincon (mk05)
1808 Canvas 57 1/2 x 38 1/2''(146 x 98 cm)Acquired in 1879 R.F.259 (G/AR)
Painting ID::  20864 		Jean Auguste Dominique Ingres
The Bather of Valpincon (mk05)
1808 Canvas 57 1/2 x 38 1/2''(146 x 98 cm)Acquired in 1879 R.F.259 (G/AR)
   
   
     
Jean Auguste Dominique Ingres La Grande Odalisque (mk05) oil painting


La Grande Odalisque (mk05)
Rome 1814 Canvas 36 x 64''(91 x 162 cm)Salon of 1819;acquired in 1899 R.F 1158(S/AR)
Painting ID::  20865 		Jean Auguste Dominique Ingres
La Grande Odalisque (mk05)
Rome 1814 Canvas 36 x 64''(91 x 162 cm)Salon of 1819;acquired in 1899 R.F 1158(S/AR)
   
   
     
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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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