Nanteuil, Robert
French, 1623-1678 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin.

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Nanteuil, Robert Portrait of Louis XIV, King of France oil painting


Portrait of Louis XIV, King of France
1670 Pastel Galelria degli Uffizi, Florence.
Painting ID::  19601
Nanteuil, Robert
Portrait of Louis XIV, King of France
1670 Pastel Galelria degli Uffizi, Florence.
   
   
     

Nanteuil, Robert Portrait of Louis XIV,King of France (mk17) oil painting


Portrait of Louis XIV,King of France (mk17)
Pastel on paper,21 1/16 x 17 1/8 in (53.5 x 43.5 cm) Uffizi,Gallery;inv.1890 no 824
Painting ID::  22243
Nanteuil, Robert
Portrait of Louis XIV,King of France (mk17)
Pastel on paper,21 1/16 x 17 1/8 in (53.5 x 43.5 cm) Uffizi,Gallery;inv.1890 no 824
   
   
     

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     Nanteuil, Robert
     French, 1623-1678 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin.

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