PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO The Conversion of St Paul oil painting


The Conversion of St Paul
nn07 Oil on canvas, 177,5 x 128,5 cm Kunsthistorisches Museum, Vienna
Painting ID::  31365 		PARMIGIANINO
The Conversion of St Paul
nn07 Oil on canvas, 177,5 x 128,5 cm Kunsthistorisches Museum, Vienna
   
   
     
PARMIGIANINO The Vision of St Jerome oil painting


The Vision of St Jerome
1527 Oil on wood, 343 x 149 cm
Painting ID::  32457 		PARMIGIANINO
The Vision of St Jerome
1527 Oil on wood, 343 x 149 cm
   
   
     
PARMIGIANINO Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 1535-1537
Painting ID::  32594 		PARMIGIANINO
Recreation by our Gallery
mk79 1535-1537
   
   
     
PARMIGIANINO Madonna of the Long Neck oil painting


Madonna of the Long Neck
mk86 c.1534-1540 Oil on wood 216x132cm Florence,Galleria degli Uffizi
Painting ID::  33497 		PARMIGIANINO
Madonna of the Long Neck
mk86 c.1534-1540 Oil on wood 216x132cm Florence,Galleria degli Uffizi
   
   
     
PARMIGIANINO The Entombment oil painting


The Entombment
mk91 ca.1523 Oil on canvas transferred from a panel 32x26.5
Painting ID::  34264 		PARMIGIANINO
The Entombment
mk91 ca.1523 Oil on canvas transferred from a panel 32x26.5
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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