PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO The Madonna of the long neck oil painting


The Madonna of the long neck
mk1534 I Wave on board of wood 219x135cm Uffizi, Florence
Painting ID::  41980 		PARMIGIANINO
The Madonna of the long neck
mk1534 I Wave on board of wood 219x135cm Uffizi, Florence
   
   
     
PARMIGIANINO Madonna with the long neck oil painting


Madonna with the long neck
MK169 ca. 1535 Panel ca.216x132cm Uffizi, Florence
Painting ID::  42672 		PARMIGIANINO
Madonna with the long neck
MK169 ca. 1535 Panel ca.216x132cm Uffizi, Florence
   
   
     
PARMIGIANINO Portrait of A man oil painting


Portrait of A man
mk170 circa 1523 Oil on wood 89.5x63.8cm
Painting ID::  43016 		PARMIGIANINO
Portrait of A man
mk170 circa 1523 Oil on wood 89.5x63.8cm
   
   
     
PARMIGIANINO The Mystic Marriage of Saint Catherine oil painting


The Mystic Marriage of Saint Catherine
mk170 1525-1527 Oil on wood 74.2x57.2cm
Painting ID::  43017 		PARMIGIANINO
The Mystic Marriage of Saint Catherine
mk170 1525-1527 Oil on wood 74.2x57.2cm
   
   
     
PARMIGIANINO Madonna of the Long Neck oil painting


Madonna of the Long Neck
mk176 1534-40 panel 85x52
Painting ID::  44893 		PARMIGIANINO
Madonna of the Long Neck
mk176 1534-40 panel 85x52
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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