Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Portrait of Berthe Morisot and daughter Julie Manet, oil painting


Portrait of Berthe Morisot and daughter Julie Manet,
Portrait of Berthe Morisot and daughter Julie Manet, 1894
Painting ID::  60483 		Pierre-Auguste Renoir
Portrait of Berthe Morisot and daughter Julie Manet,
Portrait of Berthe Morisot and daughter Julie Manet, 1894
   
   
     
Pierre-Auguste Renoir The Artist Family, oil painting


The Artist Family,
The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania
Painting ID::  60484 		Pierre-Auguste Renoir
The Artist Family,
The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania
   
   
     
Pierre-Auguste Renoir Portrait of Ambroise Vollard, oil painting


Portrait of Ambroise Vollard,
Portrait of Ambroise Vollard, 1908
Painting ID::  60485 		Pierre-Auguste Renoir
Portrait of Ambroise Vollard,
Portrait of Ambroise Vollard, 1908
   
   
     
Pierre-Auguste Renoir Portrait of Paul Durand Ruel, oil painting


Portrait of Paul Durand Ruel,
Portrait of Paul Durand-Ruel, 1910
Painting ID::  60486 		Pierre-Auguste Renoir
Portrait of Paul Durand Ruel,
Portrait of Paul Durand-Ruel, 1910
   
   
     
Pierre-Auguste Renoir Self portrait, 1910 oil painting


Self portrait, 1910
Self portrait, 1910
Painting ID::  60487 		Pierre-Auguste Renoir
Self portrait, 1910
Self portrait, 1910
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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