Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir Three Bathers, oil painting


Three Bathers,
Three Bathers, 1895, Cleveland Museum of Art Cleveland, Ohio
Painting ID::  60493
Pierre-Auguste Renoir
Three Bathers,
Three Bathers, 1895, Cleveland Museum of Art Cleveland, Ohio
   
   
     

Pierre-Auguste Renoir Woman on a Couch oil painting


Woman on a Couch
Woman on a Couch (Gabrielle), 1906-1907
Painting ID::  60494
Pierre-Auguste Renoir
Woman on a Couch
Woman on a Couch (Gabrielle), 1906-1907
   
   
     

Pierre-Auguste Renoir After The Bath oil painting


After The Bath
After The Bath, 1910, Barnes Foundation, Merion Pennsylvania
Painting ID::  60495
Pierre-Auguste Renoir
After The Bath
After The Bath, 1910, Barnes Foundation, Merion Pennsylvania
   
   
     

Pierre-Auguste Renoir Woman At The Well, oil painting


Woman At The Well,
Woman At The Well, 1910
Painting ID::  60496
Pierre-Auguste Renoir
Woman At The Well,
Woman At The Well, 1910
   
   
     

Pierre-Auguste Renoir Seated Bather Drying Her Leg, oil painting


Seated Bather Drying Her Leg,
Seated Bather Drying Her Leg, 1914, Musee de l'Orangerie, Paris, France
Painting ID::  60497
Pierre-Auguste Renoir
Seated Bather Drying Her Leg,
Seated Bather Drying Her Leg, 1914, Musee de l'Orangerie, Paris, France
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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