Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Sisting Madonna oil painting


Sisting Madonna
mk156 1512-13 Oil on canvas 269x201cm
Painting ID::  40305
Raphael
Sisting Madonna
mk156 1512-13 Oil on canvas 269x201cm
   
   
     

Raphael Madonna della Seggiola oil painting


Madonna della Seggiola
mk156 c.1514-15 Oil on panel Florence
Painting ID::  40311
Raphael
Madonna della Seggiola
mk156 c.1514-15 Oil on panel Florence
   
   
     

Raphael Portrait of Pope Leo X with Cardinals Guillo de Medici and Luigi de Rossi oil painting


Portrait of Pope Leo X with Cardinals Guillo de Medici and Luigi de Rossi
mk156 1518-19 Oil on panel 155.2x118.6cm
Painting ID::  40316
Raphael
Portrait of Pope Leo X with Cardinals Guillo de Medici and Luigi de Rossi
mk156 1518-19 Oil on panel 155.2x118.6cm
   
   
     

Raphael The Holy Family oil painting


The Holy Family
mk159 c.1505 Oil and tempera on canvas transferred from panel 72.5x57cm
Painting ID::  40979
Raphael
The Holy Family
mk159 c.1505 Oil and tempera on canvas transferred from panel 72.5x57cm
   
   
     

Raphael The Conestabile Madonna oil painting


The Conestabile Madonna
mk159 end of 1502-beginning of 1503 Tempera on canvas transferred from panel 17.5x18cm
Painting ID::  40980
Raphael
The Conestabile Madonna
mk159 end of 1502-beginning of 1503 Tempera on canvas transferred from panel 17.5x18cm
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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