Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael The Miraculous Draught of fishes oil painting


The Miraculous Draught of fishes
mk216 it's a miracle tha Raphael's seven tapestry cartoons survive for they are paintd in warter-colour on a fragile jig-saw of paper piecces glued together.
Painting ID::  50891
Raphael
The Miraculous Draught of fishes
mk216 it's a miracle tha Raphael's seven tapestry cartoons survive for they are paintd in warter-colour on a fragile jig-saw of paper piecces glued together.
   
   
     

Raphael Angel oil painting


Angel
nn09 c.1180 Stained glass
Painting ID::  51673
Raphael
Angel
nn09 c.1180 Stained glass
   
   
     

Raphael Detail of Madonna del Baldacchino oil painting


Detail of Madonna del Baldacchino
nn09 c.1507 Oil on wood 277x224cm
Painting ID::  51736
Raphael
Detail of Madonna del Baldacchino
nn09 c.1507 Oil on wood 277x224cm
   
   
     

Raphael SaintMichael Trampling the Dragon oil painting


SaintMichael Trampling the Dragon
nn09 1518 Oil on canvas 270x160cm
Painting ID::  51751
Raphael
SaintMichael Trampling the Dragon
nn09 1518 Oil on canvas 270x160cm
   
   
     

Raphael Cartoon for Tapestry,Christ-s Charge to St.Peter oil painting


Cartoon for Tapestry,Christ-s Charge to St.Peter
mk231 1515-16 Oil on paper
Painting ID::  53409
Raphael
Cartoon for Tapestry,Christ-s Charge to St.Peter
mk231 1515-16 Oil on paper
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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