VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil painting


Prince
mk237 1936 Oil on canvas 144x96.5cm
Painting ID::  54738
VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237 1936 Oil on canvas 144x96.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Prince oil painting


Detail of Prince
mk237 1636 Oil on canvas 144x96.5cm
Painting ID::  54739
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Prince
mk237 1636 Oil on canvas 144x96.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil painting


Bishop
mk237 1635-1638 Oil on canvas 55.8x40cm
Painting ID::  54740
VELAZQUEZ, Diego Rodriguez de Silva y
Bishop
mk237 1635-1638 Oil on canvas 55.8x40cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Boar oil painting


Boar
mk237 1635-1637 Oil on canvas
Painting ID::  54741
VELAZQUEZ, Diego Rodriguez de Silva y
Boar
mk237 1635-1637 Oil on canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Duke oil painting


Duke
mk237 1638 Oil on canvas 67x54.5cm
Painting ID::  54742
VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk237 1638 Oil on canvas 67x54.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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