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Grande Odalisque
Jean-Auguste Dominique Ingres11.jpg
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Grande_Odalisque
1814
Musee d'Orsay, Paris
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Romulas, Conqueror of Acron
Jean-Auguste Dominique Ingres12.jpg
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Romulas,_Conqueror_of_Acron
1812
Ecole des Beaux Arts, Paris
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M.Charles Joseph Laurent Cordier
Jean-Auguste Dominique Ingres13.jpg
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M.Charles_Joseph_Laurent_Cordier
1811 Musee d'Orsay, Paris
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The Valpincon Bather
Jean-Auguste Dominique Ingres14.jpg
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The_Valpincon_Bather
1808
Musee d'Orsay, Paris
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Portrait of Francois Marius Granet
Jean-Auguste Dominique Ingres15.jpg
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Portrait_of_Francois_Marius_Granet
1807
Musee Granet, Aix en Province
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Jean-Auguste_Dominique_Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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