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Male Torso
Jean-Auguste Dominique Ingres21.jpg
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Male_Torso
1800
Ecole des Beaux Arts, Paris
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The Golden Age (mk35)
new8/Jean-Auguste Dominique Ingres-282873.jpg
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The_Golden_Age_(mk35)
1862
Oil on paper mounted on a Wood Panel
47.9 x 62.9 cm
The Fogg Art Museum Harvard University Art Museums,Cambridge (MA)
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The Great Odalisque (mk35)
new8/Jean-Auguste Dominique Ingres-692493.jpg
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The_Great_Odalisque_(mk35)
1814
La grande odalisque
Oil on canvas 91 x 62 cm
Musee du Louvre Paris
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Le Bain turc (mk32)
new8/Jean-Auguste Dominique Ingres-887772.jpg
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Le_Bain_turc_(mk32)
Huile sur toile marouflee sur bois signee,datee MDCCCLXII aetatis LXXXII diametre 108 cm Musee du Louvre Paris
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Odalisque avec esclave (mk32)
new8/Jean-Auguste Dominique Ingres-752424.jpg
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Odalisque_avec_esclave_(mk32)
huile sur toile signee et datee 1842 76 x 105.4 cm
Walters Art Gallery Baltimore
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Jean-Auguste_Dominique_Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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