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Madame Motessier Seated
new9/Jean-Auguste Dominique Ingres-296975.jpg
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Madame_Motessier_Seated
mk87
1856
Oil on canvas
120x92.1cm
London,National Gallery
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Joan of Arc at the Coronation of Charles VII in Reims
new9/Jean-Auguste Dominique Ingres-626547.jpg
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Joan_of_Arc_at_the_Coronation_of_Charles_VII_in_Reims
mk87
Cathedral 1854
Oil on canvas
240x178cm
Paris,Musee National du Louvre
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The Turkish Bath
new9/Jean-Auguste Dominique Ingres-228974.jpg
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The_Turkish_Bath
mk87
1862
Oil on canvas,diameter 108cm
Paris,Musee National du Loouvre
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Valpincon Bather
new9/Jean-Auguste Dominique Ingres-653742.jpg
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Valpincon_Bather
mk87
1808
Oil on canvas
146x97.5cm
Paris,Musee National du Louvre
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Mademoiselle Riviere
new9/Jean-Auguste Dominique Ingres-259223.jpg
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Mademoiselle_Riviere
mk87
1806
Oil on cnavas
100x70cm
Paris,Musee National du Louvre
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Jean-Auguste_Dominique_Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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