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Porrtrait of the Sculptor Duquesnoy fgh
DYCK, Sir Anthony Van15.jpg
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Porrtrait_of_the_Sculptor_Duquesnoy__fgh
1627-29
Oil on canvas, 77,5 x 61 cm
Mus??es Royaux des Beaux-Arts, Brussels
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Portrait of Father Jean-Charles della Faille, S.J. dfh
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Portrait_of_Father_Jean-Charles_della_Faille,_S.J._dfh
1629
Oil on canvas, 130,8 x 118,5 cm
Mus??es Royaux des Beaux-Arts, Brussels
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Family Portrait hhte
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Family_Portrait_hhte
1618-20
Oil on canvas, 113,5 x 93,5 cm
The Hermitage, St. Petersburg
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Thomas Killigrew and William, Lord Croft fgjh
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Thomas_Killigrew_and_William,_Lord_Croft_fgjh
1638
Oil on canvas, 132,7 x 143,5 cm
Royal Collection, Windsor
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Portrait of the Artist Marten Pepijn dfg
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Portrait_of_the_Artist_Marten_Pepijn_dfg
Oil on panel, 72 x 56 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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DYCK,_Sir_Anthony_Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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