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Portrait of Porzia Imperiale and Her Daughter fg
DYCK, Sir Anthony Van20.jpg
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Portrait_of_Porzia_Imperiale_and_Her_Daughter_fg
c. 1628
Oil on canvas, 184,5 x 134 cm
Mus??es Royaux des Beaux-Arts, Brussels
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Christ on the Cross dfg
DYCK, Sir Anthony Van21.jpg
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Christ_on_the_Cross_dfg
Oil on canvas
Sint-Jacobskerk, Antwerp
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Crowning with Thorns fdg
DYCK, Sir Anthony Van22.jpg
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Crowning_with_Thorns_fdg
1618-20
Oil on canvas, 223 x 196 cm
Museo del Prado, Madrid
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Cupid and Psyche df
DYCK, Sir Anthony Van23.jpg
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Cupid_and_Psyche_df
1639-40
Oil on canvas, 199,4 x 191,8 cm
Royal Collection, Windsor
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Deposition gh25
DYCK, Sir Anthony Van24.jpg
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Deposition_gh25
1634
Oil on panel
Alte Pinakothek, Munich
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DYCK,_Sir_Anthony_Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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