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Golgotha gjk
DYCK, Sir Anthony Van25.jpg
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Golgotha_gjk
1630
Oil on canvas
Sint-Michielskerk, Ghent
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Blessed Joseph Hermann g
DYCK, Sir Anthony Van26.jpg
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Blessed_Joseph_Hermann_g
1629
Oil on canvas, 160 x 128 cm
Kunsthistorisches Museum, Vienna
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Jupiter and Antiope dfg
DYCK, Sir Anthony Van27.jpg
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Jupiter_and_Antiope_dfg
Oil on canvas, 150 x 206 cm
Museum voor Schone Kunsten, Ghent
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The Lamentation of Christ fg
DYCK, Sir Anthony Van28.jpg
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The_Lamentation_of_Christ__fg
Oil on canvas, 115 x 208 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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St Martin Dividing his Cloak f
DYCK, Sir Anthony Van29.jpg
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St_Martin_Dividing_his_Cloak_f
c. 1618
Oil on panel, 171,6 x 158 cm
St Martin, Zaventem
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DYCK,_Sir_Anthony_Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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