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Manana in Venice
new11/Corot Camille-273549.jpg
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Manana_in_Venice
mk131
1834
It painted during the second trip to ltalia, Corot Amuses the azure light.
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The walk of Poussin Campina of Rome
new11/Corot Camille-448575.jpg
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The_walk_of_Poussin_Campina_of_Rome
mk131
1826-1828
outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
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Ischa since the slopes of the mount Epomeo
new11/Corot Camille-524755.jpg
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Ischa_since_the_slopes_of_the_mount_Epomeo
mk131
1828
Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
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Florence Since the Gardens of Boboli
new11/Corot Camille-732456.jpg
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Florence_Since_the_Gardens_of_Boboli
mk131
1835-1840
The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
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Volterra
new11/Corot Camille-924452.jpg
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Volterra
mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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