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Scene on the Magdalena
new2/Frederic E.Church-827955.jpg
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Scene_on_the_Magdalena
mk48
1854
Oil on canvas
28x42in
National Academy Museum,New York
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Eagle Lake Viewed from Cadillac Mountain
new2/Frederic E.Church-653569.jpg
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Eagle_Lake_Viewed_from_Cadillac_Mountain
mk48
1850-60
Brush and oil paint,graphite on paperboard
11 7/16x17 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Tamaca Palms
new2/Frederic E.Church-838424.jpg
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Tamaca_Palms
mk48
1854,reworked 1877
Oil on canvas
27 3/4x36 1/2in
Corcoran Gallery of Art,Washington.D.C.,
Gift of William Wilson Corcoran
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The Andes of Ecuador
new2/Frederic E.Church-365634.jpg
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The_Andes_of_Ecuador
mk48
1855
Oil on canvas
48x75in
Reynolda House,Museum of American Art,Winston-Salem,North Carolina
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Sunset
new2/Frederic E.Church-834772.jpg
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Sunset
mk48
Oil on canvas
24x36in
Munson-Williams-Proctor Arts Institute,Museum of Art,Utica New York
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Frederic_E.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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