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Twililght
new2/Frederic E.Church-666338.jpg
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Twililght
mk48
1856
Oil on canvas
16 1/4x24 1/4in
Albany Institute of History and Art,
Gift of Beatrice Palmer,granddaughter of Erastus Dow Palmer
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Hudson Valley,Near Olana,New York
new2/Frederic E.Church-486567.jpg
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Hudson_Valley,Near_Olana,New_York
mk48
1869-70
Brush and oil paint,graphite on heavy paperboard
8 1/4x10 3/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Great Basin,Mount Katahdin,Maine
new2/Frederic E.Church-696627.jpg
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Great_Basin,Mount_Katahdin,Maine
mk48
1875-80
Brush and oil paint,over graphite on paperboard
12 1/16x13in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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In the Tropics
new2/Frederic E.Church-775655.jpg
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In_the_Tropics
mk48
1856
Oil on canvas
25 1/4x36 1/4in
Virginia Museum of Fine Arts,Richmond.
The Arthur and Margaret Glasgow Fund
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The Great Fall,Niagara
new2/Frederic E.Church-825983.jpg
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The_Great_Fall,Niagara
mk48
1856
Oil on canvas
12x35in
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Frederic_E.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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