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Sacred and Profane Love
new4/Titian-674868.jpg
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Sacred_and_Profane_Love
mk68
Oil on canvas
3'10 1/2"x9'
Rome,Borghese Gallery
1515
Italy
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Assumption of the Virgin
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Assumption_of_the_Virgin
mk68
Oil on wood
22'7"x11'9"
Venice,Church of the Frari
1516-1518
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The PenitentMagdalen
new4/Titian-937286.jpg
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The_PenitentMagdalen
mk68
Oil on wood
33 1/2x13 3/4"
Florence,Pitti Palace,
Palatine Gallery
1533
Italy
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The Venus of Urbino
new4/Titian-548686.jpg
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The_Venus_of_Urbino
mk68
Oil on canvas
Florence,Uffizi.
1538
Italy
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Portrait of Philip II in Armor
new4/Titian-523586.jpg
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Portrait_of_Philip_II_in_Armor
mk68
Oil on canvas
6'4"x3'7 3/4"
Madrid,Prado
1549
Italy
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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