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Equestrian Portrait of Charles V
new4/Titian-942665.jpg
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Equestrian_Portrait_of_Charles_V
mk68
Oil on canvas
10'9"x9'
1548
Italy
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Pieta
new4/Titian-286286.jpg
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Pieta
mk68
Oil on canva
11'6 1/2"x11" 5"
Venice,Accademai Gallery
1576
Italy
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Portrait of a man in a red cap
new4/Titian-542364.jpg
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Portrait_of_a_man_in_a_red_cap
mk76
Painted
c.1516
Oil on canvas
32 3/8x28in
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Details of Portrait of a man in a red cap
new4/Titian-656887.jpg
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Details_of_Portrait_of_a_man_in_a_red_cap
mk76
Painted
c.1516
Oil on canvas
32 3/8x28in
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Pietro aretino
new4/Titian-775463.jpg
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Pietro_aretino
mk76
Painted probably between 1548 and 1551
Oil on canvas
40 1/8x33 3/4in
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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