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Man universe,manipulator
new16/Diego Rivera-677772.jpg
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Man_universe,manipulator
mk117
1934
485x1146cm
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Man universe,manipulator
new16/Diego Rivera-362729.jpg
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Man_universe,manipulator
mk117
1934
485x1146cm
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Proletariate
new16/Diego Rivera-775783.jpg
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Proletariate
mk117
1933
161.9x201.3cm
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Dunase and Dimase
new16/Diego Rivera-755866.jpg
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Dunase_and_Dimase
mk117
1935
80x59.4cm
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Portrait
new16/Diego Rivera-953964.jpg
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Portrait
mk117
1945
123.3x62.4cm
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Diego_Rivera
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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