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The Dancing from Tehuantepec
new16/Diego Rivera-366384.jpg
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The_Dancing_from_Tehuantepec
mk117
200x162cm
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Hat seller
new16/Diego Rivera-836278.jpg
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Hat_seller
mk117
1944
121x154cm
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Allegory of California
new16/Diego Rivera-257885.jpg
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Allegory_of_California
mk117
1931
about 14377x14377cm
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Market
new16/Diego Rivera-993892.jpg
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Market
m,k117
1929
Oil on canvas
100x78cm
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Canoe
new16/Diego Rivera-986846.jpg
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Canoe
mk117
1931
200x160cm
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Diego_Rivera
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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