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Riders
new12/Karl Briullov-497778.jpg
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Riders
mk149
1849
Watercolour and black chalk,heightened with lacquer,on cardboard
69x50.9cm
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The Moor of Peter the Great taking Leave of the countess
new12/Karl Briullov-992337.jpg
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The_Moor_of_Peter_the_Great_taking_Leave_of_the_countess
mk149
1847-49
Watercolour and black chalk
Heightened with bronze,on paper
23.7x25.9cm
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By Allah-s Will the Shirt is Changed once a year
new12/Karl Briullov-358773.jpg
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By_Allah-s_Will_the_Shirt_is_Changed_once_a_year
mk149
1843
23x18cm
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A Turkish Woman
new12/Karl Briullov-699242.jpg
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A_Turkish_Woman
mk149
1837-39
Oil on canvas
66.2x79.8cm
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Two ladies on the balcony and a horseman
new12/Karl Briullov-334224.jpg
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Two_ladies_on_the_balcony_and_a_horseman
mk149
1847-49
Sepia on paper
26.5x23cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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