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A Rendevouz in constantinople
new12/Karl Briullov-827388.jpg
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A_Rendevouz_in_constantinople
mk149
1837-40
Watercolour and black chalk,Heightened with lacquer
on paper
33.6x27cm
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Midday in a Caravanserai
new12/Karl Briullov-425796.jpg
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Midday_in_a_Caravanserai
mk149
1835
Sepia and lead pencil on paper
32.5x28cm
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Love Scene in a park
new12/Karl Briullov-549326.jpg
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Love_Scene_in_a_park
mk149
1847-49
Sepia on paper
22x17.5cm
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St John the Divine
new12/Karl Briullov-242238.jpg
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St_John_the_Divine
mk149
1843-47
Oil on canvas
53x42cm
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The Evangelist Mark
new12/Karl Briullov-549643.jpg
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The_Evangelist_Mark
mk149
1843-47
Oil on canvas
35x48cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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