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Promenade
new12/Karl Briullov-723497.jpg
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Promenade
mk149
1849
Watercolour on paper
30x46cm
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Portrait of Sergei Sobolevsky
new12/Karl Briullov-763858.jpg
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Portrait_of_Sergei_Sobolevsky
mk149
1832
Watercolour on paper
21.5x19.5cm
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Portrait of Vasily Zhukovsky
new12/Karl Briullov-592362.jpg
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Portrait_of_Vasily_Zhukovsky
mk149
1837-38
Oil on canvas
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Portrait of The Shishmariov sisters,Olga and Alexandra
new12/Karl Briullov-276765.jpg
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Portrait_of_The_Shishmariov_sisters,Olga_and_Alexandra
mk149
1839
Oil on canvas
281x213cm
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Portrait of alexander strugovshchikov
new12/Karl Briullov-878636.jpg
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Portrait_of_alexander_strugovshchikov
mk149
1840
Oil on canvas
80x66.4cm
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Karl_Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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