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Backus met with the Ariadne
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Backus_met_with_the_Ariadne
mk250 In the year 1522-1523. Oil on canvas, 175.3 x 190.5 cm. National Gallery in London.
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Venus Wuerbinnuo
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Venus_Wuerbinnuo
mk250 Year in 1538. Oil on canvas, about 122 x 167.6 cm. Uffizi in Florence.
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Isabella De Site
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Isabella_De_Site
mk250 the Year in 1534-1536. Oil on canvas, 101.9 x 63.9 cm. Vienna Art History Museum
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By Pope Alexander six th as the Saint Mala enterprise's hero were introduced that kneels in front of Saint Peter's Ge the cloths wears Salol
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By_Pope_Alexander_six_th_as_the_Saint_Mala_enterprise's_hero_were_introduced_that_kneels_in_front_of_Saint_Peter's_Ge_the_cloths_wears_Salol
mk261 1506, the Antwerp Royal Museum of Fine Arts
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Titian self portrait,
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Titian_self_portrait,
Titian self-portrait, c.1567; Museo del Prado, Madrid
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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