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george hayter aofed
new21/Anthony Van Dyck-636367.jpg
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george_hayter_aofed
mk265 comte d orsay 1839 london national portait galler
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sir thomas lawrence
new21/Anthony Van Dyck-257394.jpg
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sir_thomas_lawrence
mk265 airhur atterley 1790-1791 los angeles county museum of art
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alfred de dreux
new21/Anthony Van Dyck-956542.jpg
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alfred_de_dreux
mk265 comte alfred de montgomery, c. 1850-1875 paris musee du louvre
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jean auguste dominiqur ingres
new21/Anthony Van Dyck-952439.jpg
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jean_auguste_dominiqur_ingres
mk265 count nikolai dmtrievich guriev 1821 st peterirg state hermitar m
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jean auguste dominique lngres
new21/Anthony Van Dyck-829993.jpg
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jean_auguste_dominique_lngres
mk265 portrait of ferdinand philippe de bourbon orleans duc dorleans 1842 paris musee du louvre.
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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