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jean auguste dominique lngres
new21/Anthony Van Dyck-893382.jpg
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mk265 portrait of madame philibert riviere 1806 paris musee du louvre.
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jean auguste dominique lngres
new21/Anthony Van Dyck-622254.jpg
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mk265 baronne james de rothschid 1848 private collection.
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jean auguste dominique lnges
new21/Anthony Van Dyck-527635.gif
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mk265 portrait of mademois elle rivere 1806 paris musee du louvre.
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jean auguste domnique ingres
new21/Anthony Van Dyck-987543.jpg
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mk265 vicomtesse othenin d haussonville nee louise albertine de broglie 1845 new york the frick collection.
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mk265 jean auguste dominique ingres, princesse albert de broglie 1853 new york the metropolitan museum of art.
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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