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claude marie dubufe
new21/Anthony Van Dyck-727325.jpg
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claude_marie_dubufe
mk265 portrait of anne louise alix de montmorency 1838 paris musee du petit palais.
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franz xaver winterhalter
new21/Anthony Van Dyck-975747.jpg
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franz_xaver_winterhalter
mk265 the duchesse dorleans with the comte de paris 1839 versailles musee national du chateau.
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sir martn archer shee
new21/Anthony Van Dyck-237825.jpg
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sir_martn_archer_shee
mk265 jane lady munro 1819 london,national portait gallery.
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sir george hayter
new21/Anthony Van Dyck-347865.jpg
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sir_george_hayter
mk265 portrat of sophia kiselyova 1831 st petersburg state hermitage musum.
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franz xaver winterhalter
new21/Anthony Van Dyck-524357.jpg
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franz_xaver_winterhalter
mk265 maharajah duleep singh 1854 royal collecton.
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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