Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Lady with a Fan (df01) oil painting


Lady with a Fan (df01)
c 1635
Painting ID::  22575
Diego Velazquez
Lady with a Fan (df01)
c 1635
   
   
     

Diego Velazquez A Country Lass (df01) oil painting


A Country Lass (df01)
1645-1650
Painting ID::  22576
Diego Velazquez
A Country Lass (df01)
1645-1650
   
   
     

Diego Velazquez The Coronation of the Virgin (df01) oil painting


The Coronation of the Virgin (df01)
c 1645
Painting ID::  22577
Diego Velazquez
The Coronation of the Virgin (df01)
c 1645
   
   
     

Diego Velazquez Coronation of the Virgin (df01) oil painting


Coronation of the Virgin (df01)
El greco 1590 Madrid Museo del Prado
Painting ID::  22578
Diego Velazquez
Coronation of the Virgin (df01)
El greco 1590 Madrid Museo del Prado
   
   
     

Diego Velazquez St Jerome (df01) oil painting


St Jerome (df01)
1510-1515 Madrid,Museo del Prado
Painting ID::  22579
Diego Velazquez
St Jerome (df01)
1510-1515 Madrid,Museo del Prado
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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